🦜 The Dylan Review
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The Dylan Review
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Dylan Review Vol. 7.2, Fall/Winter 2025-2026 – Copyright Information
https://thedylanreview.org/2026/02/22/dylan-review-vol-7-2-fall-winter-2025-2026-copyright-information/
Published: February 23, 2026 04:35
Talkin’ New York. Copyright © 1962, 1965 by Duchess Music Corporation; renewed 1990,1993 by MCA. Bob Dylan’s Blues. Copyright © 1963, 1964 by Warner Bros. Inc.; renewed 1991, 1992 by Special Rider Music. Sad-Eyed Lady of the Lowlands. Copyright © 1966 by…
Dylan Review Vol. 7.2, Fall/Winter 2025-2026 – Books Received
https://thedylanreview.org/2026/02/22/dylan-review-vol-7-2-fall-winter-2025-2026-books-received/
Published: February 23, 2026 04:35
Michael Glover Smith. Bob Dylan as Filmmaker: No Time to Think. McNidder & Grace, 2026. Bob Dylan as Filmmaker: No Time to Think. McNidder & Grace, 2026. Robert Polito. After the Flood: Inside Bob Dylan’s Memory Palace. Liveright, 2026. Walters, Jack. Bob…
Dylan Review Vol. 7.2, Fall/Winter 2025-2026 – Contributors
https://thedylanreview.org/2026/02/22/dylan-review-vol-7-2-fall-winter-2025-2026-contributors/
Published: February 23, 2026 04:35
Nicholas Birns teaches modern and contemporary literature at the School of Professional Studies, New York University. His recent books include The Literary Role of History in the Fiction of J. R. R. Tolkien (2024), and the co-authored Agatha Christie Under…
Interview with Emma Swift
https://thedylanreview.org/2026/02/22/interview-with-emma-swift/
Published: February 23, 2026 04:34
The Dylan Review spoke to songwriter Emma Swift about covering Bob Dylan, Lou Reed and her own creative process. The interview has been edited for length and clarity. Dylan Review: As we speak, you’re back in Nashville after playing the historic…
Boy from the North Country: Sam Sussman’s Overly Cautious Autofiction
https://thedylanreview.org/2026/02/22/boy-from-the-north-country-sam-sussmans-overly-cautious-autofiction/
Published: February 23, 2026 04:34
Boy from the North Country: Sam Sussman’s Overly Cautious Autofiction By Paul Haney If you write a novel, readers will want to know which parts of your story are true; a memoir, which parts are made up. Sam Sussman’s Boy from the North Country—an…
Apollo and the Sad-Eyed Lady: Nietzsche Listening to Dylan
https://thedylanreview.org/2026/02/22/apollo-and-the-sad-eyed-lady-nietzsche-listening-to-dylan/
Published: February 23, 2026 04:34
Apollo and the Sad-Eyed Lady: Nietzsche Listening to Dylan By Stephen Rive We do not always keep our eyes . . . from finishing off the poem; and then it is no longer eternal imperfection that we carry across the river of becoming—we then feel that we are…
Too ‘Tangled Up in Blues’: A Look Inside Bob Dylan’s 1974 Notebooks
https://thedylanreview.org/2026/02/22/too-tangled-up-in-blues-a-look-inside-bob-dylans-1974-notebooks/
Published: February 23, 2026 04:34
Too ‘Tangled Up in Blues’: A Look Inside Bob Dylan’s 1974 Notebooks By W. Jason Miller, North Carolina State University Over twenty pages of Dylan’s handwritten lyrics to “Tangled Up in Blue” (1974) are now available for study at the Bob Dylan Center in…
The Lost Rolling Thunder Show
https://thedylanreview.org/2026/02/22/the-lost-rolling-thunder-show/
Published: February 23, 2026 04:33
“The Lost Rolling Thunder Show” By Bill Lattanzi Trapped forever in grains of silver, thirty four year-old Bob Dylan is blasting through “Isis,” his clear blue eyes fixed on a far-off vision of the song’s “outrageous” snow, harmonica wrapped in an…
Songs of Love Sing
https://thedylanreview.org/2026/02/22/songs-of-love-sing/
Published: February 23, 2026 04:33
“Songs of Love Sing” By Thomas G. Palaima Songs of love sing fire, ice and stone forever together nevermore alone hearts call out to hearts gently, true and sweet birds sing joyous songs in songs, when lovers meet arm and arm, hand and hand, dancing…
THE DYLANISTA – Dylan’s Versions of Pastoral
https://thedylanreview.org/2026/02/22/the-dylanista-dylans-versions-of-pastoral/
Published: February 23, 2026 04:33
Dylan once said, memorably, “all my songs are protest songs.” Common consensus is he was referring not to genre so much as to an attitude, not content so much as ethos. And, in fact, analyzing Dylan through the lens of attitude or ethos has gotten more…